BLEG's ground fresco

His automatic drawing is guided by the symbolic and graphic vocabulary he has developed, and he presents his creations as «visual poems» that the public can then try to decipher.
The creation proposed in the Montée des Chazeaux is the fruit of a thinking on the site, its history and its constraints. The first constraint is the existence of the Eltono’s fresco on floor (2019). Instead of being a barrier, this is the first guide that will allow to compose on the ground, since after ironing and light thickening of the colored lines of the existing work, this structure will compose the skeleton of the fresco. The existing lines will then be assembled to Bleg’s graphics, connecting the different representations of human characters, falling down the slope concrete glacis, flowing like water in rainy weather. The idea is also here to make a link with the steps that goes up to this site, very passing. By depicting this crowd of human characters falling down this slope concrete glacis, we come to symbolically oppose the force deployed by the pedestrians who climb the steps. The final result is a kind of graphic drape of white lines on a grey and heterogeneous concrete, integrating both the site and its hydraulic nature, as well as the traces of the pre-existing ephemeral fresco.