Alix Boillot – L’Éternité (2), 2024 ; Lacrymatoires, 2024 ; L’Éternité (1) (collier), 2024

In her sculptures and performances, Alix Boillot treats water, a common and universal good, as a bonding agent, an element that facilitates relationships. Working with rain, snow or ice, which she combines with other materials, she seeks simplicity of gesture, uneventfulness and sobriety of form, in order to highlight the intangible and the ephemeral. Her work is poetic; it involves rituals of giving and communion, a bonding of nature, humans and the sacred.

Alix Boillot’s work explores water in its human and emotional form — tears, salty drops secreted by the lacrimal glands. Carved from rock salt stones, the artist’s flask exhibited here is a reminiscent of the “lachrymatories” found in Roman necropolises, so named because of the sodium deposits they contained: they would have collected the tears of bereaved loved ones. Next to it, the pearl is reminiscent of oyster pearls: in Greek mythology, they were the tears of the gods, deposited with the dew. We now know that a pearl appears in reaction to a wound or an intrusion: this definition could be that of a tear. All that remains of the tears is the salt, in the shape of a pearl. These pearls can be seen again on the scale of a necklace, worn by the singer of the performance L’Éternité (1): as she sings Jeff Buckley’s Grace, a song said to have been a premonition of its author’s drowning, she lets her tears well up, on the banks of the Rhône.

13 October 2024, 3pm – L’Éternité (1), performance with Leslie Carmine, Musée gallo-romain de Saint-Romain-en-Gal